I’d read this novel many many years ago, and I probably liked it even back then, but I don’t think it blew my mind as much as it did now. It must have been good to read Trainspotting as a young innocent smart-ass rebel, but – for me – it’s definitely a more shattering experience to read it when I’m not so young, not that innocent and not that big of a rebel anymore (I’m still a smart-ass, that one hasn’t changed).
I have no idea how Irvine Welsh knows this much about addiction (everyone’s an addict, allegedly, and recently I’ve been having lots of conversations with people about addiction and dependency, and I wonder whether there’s a significant difference between me being addicted to smoking, someone being a food junkie, someone else being a shopaholic, and someone else being addicted to computer games – and I don’t think there is – there are only surface differences – in that some forms of addiction are more accepted, some are less, some addictions ruin your life somewhat faster than others, and some addictions allow you to tell – seemingly – funny stories about them, while others don’t), about the hopelessness of things and about not giving a fuck about them, about rotting away and selling yourself out, about the secret romanticism of addiction, about the impossibility of change, about laughing at your pain, about the feeling that you will never ever have this (something, anything – normal this or that – life, perhaps) so you pretend that you wouldn’t even want that, and despise everything normal and scornfully laugh at anyone who dares to assume that perhaps you’d want that something, after all.
I won’t go looking into Welsh’s biography now because it doesn’t matter how he knows all this – it’s enough that he definitely understands it deeply: the massive self-deception and self-hate of addicts; the way how it always starts out as a game – why wouldn’t I try this, I’m smart, strong and in control, and I can do whatever I want; the fact that addiction is a wonderful way to fill time and while you’re deep in it, there’s no need to think and do anything else, which is awesome.
I sense the sarcasm in my voice but I’m not sure at what or at whom it’s directed at. Sometimes I wonder, for example, how many minutes a day I spend smoking, and I realize that if I didn’t smoke, besides being healthier and having more money, I’d also have a lot more time – but what would I do with all that time? Would I read one more book in a week? Would I watch three more films or would I translate two more of those things I translate? But – why would I want to do that?
And I don’t even live in the 1980s in forgotten and rotting Leith but in the 2010s in a very friendly and nice town where things don’t actually look hopeless. And I’m not even talking about heroin addiction, only about the relatively simple and innocent addiction to cigarettes – so if I multiply my feelings and my experiences with addiction by a thousand, then perhaps I can imagine how the characters of this novel live, and can imagine the things they do and the way they don’t give a shit and mock everything.
And it’s frightening and brilliant, by the way, when Welsh/one of his narrators starts to talk about all kinds of serious topics, for example, when Renton talks about the psychologists and social workers and other helpers who all wanted to rehabilitate him, and goes on to analyze himself in a deeply self-ironic fashion, and then I feel how my relatively good-girlish mind, always looking for explanations and always trying to gain understanding, soaks up Renton’s words with hope and enthusiasm, secretly thinking how there must really be such a connection that Renton’s a junkie because his relationship with his brother was like this and that, and because this and that happened to his other brother – my mind keeps clinging to the idea that there must be an explanation, and if there’s an explanation, then there must be a solution, too, when in fact there’s no automatic explanation, no automatic solution, and no, there’s absolutely no causal link between vegetarianism and heroin addiction, either.
I didn’t remember Trainspotting was such a dark novel. And I didn’t remember, either, that it’s such a funny one (I didn’t go into this but it’s extremely, laugh out loud funny). And I didn’t remember, either, how it’s full of perfect, precise and cutting sentences, such as this one, which perfectly sums up in 12 words what it feels like to be addicted to something.
„Ah came fir a pint, but ah might jist git pished yit.”