Words are all we have – said Samuel Beckett once, but I don’t know where he said it and in what context. Anyway, I agree with him, being a fanatic of words myself.
And Ali Smith is a fanatic of words, too. Sometimes she does get on my nerves (I’m not such a devoted fan of puns and word-plays as she is) but mostly I just look (and experience) with awe and wonder what she does with words.
For example, on the day when I wake up and suddenly realize the connection between the short story the main character had written once in his teens and the thoughts of an old lady about some awful event her daughter told her about a long time ago. I don’t want to go into details – suffice it to say that I was leaning to the kitchen table for a good long while the morning I made the connection, and I very much wanted to go back to bed, curl up, and cry, because it breaks my heart to think how one can make beauty out the horrible. (Must things be horrible before there can be beauty?)
Words are all we have. Imperfect, sometimes false, sometimes true.
And our lives are all we have. Imperfect, false, true, unknowable, impossible to share.
As far as I know her work, Ali Smith always writes about this. About unknowable lives – like here, about a man called Miles, who goes to a dinner party, and in the middle of the party he excuses himself, proceeds to shut himself in the spare bedroom, and doesn’t leave it for months.
Certain questions arise:
Who’s this Miles?
What the hell does he want?
Why doesn’t he leave the room?
And who are the other people in his life?
Words are all we have. Certainty – we don’t. So all we get by way of answers is:
He’s an average middle-aged guy.
I don’t know, perhaps he doesn’t, either.
I don’t know, perhaps he does.
Just people – nothing special.
Why’s this good to read?
And what’s all this, anyway?
More possible answers:
It’s good to read this because this story is just as accidental as any life, and life’s accidental quality and randomness always fascinates me. And anyway – perhaps tomorrow you will shut yourself in a room. And perhaps you’re already shut in a room today.
And what’s all this – a celebration of imagination and of the power of words, words, words – most of all.