Geraint Anderson worked in London’s financial district, the City for several years, and when he had had enough of that, he first wrote a series of anonymous articles for a magazine and then wrote this book to air the dirty laundry of the City.
This doesn’t sound half bad, however, Geraint Anderson isn’t exactly a master of truth-exposing, eye-opening writing, and he isn’t a present-day Dostoyevsky, either, someone capable of accessing all the hidden corners of the human heart and revealing just what kind of moral-killing and soul-crushing practices go on in the world. Anderson is a rather neutral, nothing-special writer – his writing lacks life and sparkle, he’s extremely repetitive, and his humor is forced and bland most of the time.
The subtitle – Beer and Loathing in the Square Mile – refers to Fear and Loathing in Las Vegas, and indeed, Cityboy’s main character (Anderson himself) does drugs almost as enthusiastically and is paranoid almost to the same extent as Raoul Duke (or Hunter S. Thompson), but the similarities end here because – as opposed to Thompson – Anderson doesn’t possess a remarkable sense of humor or a truly feverish and insane imagination, moreover, he’s not as talented a writer as to be able to give sufficient shape to the creations of his ordinary imagination or his paranoid visions.
So as regards the debauchery, drug-doing, orgies and general assholery of the protagonist’s life as Cityboy – this story-line is painfully dull. Anderson, for example, relates how absolutely awful and embarrassing it was when he – totally shitfaced and wasted – ran into his future boss who was accompanying his daughter to the Glastonbury Festival, and yes: I can imagine that meeting your boss when you’re shitfaced can be quite awful and embarrassing, but it’s sure as hell that Anderson isn’t able to make me feel how and why this was awful for him. That’s it for the hard-partying stock-broker story-line then.
The other main story-line is the truth-exposing and soul-searching one. It’s about the dark deeds of banks, stock exchanges, and all kinds of other institutions in the money business; and about how the once normal people who work in this business all become amoral, inhuman, extremely competitive zombies, working 70 hours a week, equally obsessed with making and wasting money. Oh well – yes, I believe it can be like this, this life, but it’s nothing I didn’t already know, and more importantly: the way Anderson narrates this, it doesn’t make me experience neither the 70-hour workweeks, nor anything else.
Anderson, by the way, quit the money business a while ago, and in the afterword he says that, after all, it’s not money that matters, but love, family and friends. Yeah, sure. And this isn’t a sarcastic “yeah, sure”. This isn’t a sign of my agreement, either. This is a sign of my complete lack of interest.
Anyway, Anderson is not without brains, and he possesses a minimal amount of self-irony, too. And the things he says about the workings of the banking world are most probably true, and those things could normally throw me straight into a fit of rage and despair. However, this book doesn’t induce rage or despair in me, and I cannot work myself up into a fit because Anderson – regardless of his topic – can’t kindle any sort of emotion in me, save indifference. But at least I learned that when a boring writer talks about exciting or unsettling topics, the result is still boring.